Sunday, November 30, 2008

The Killers Kill

We'll cut right to it.........................

The Killers new album "Day and Age" may not only be their best album, but it may also be one of the best of all of 2008.

Here's track-by-track coverage:

Losing Touch
A rousing Bowie-like groove driven by honking saxophones and ping-ponging keyboards that kicks things into high gear. Brandon Flowers' voice is smooth and full as he intones "You made your home/ and you made your way back home/ like a roving vagabond, I'm losing touch." Dave Keuning makes his presence felt with a soaring guitar lead.

Human
A gentle, phased, clicky guitar riff opens this gorgeous nod to the gentle side of '80s new wave. "Cut the cord/ are we human/ my sign is virtual/and my hands are cold/ are we human, or are we dancer?" Flowers asks in a plaintive, melancholy manner. Then the song gallops off into a Cure-meets-U2 arena shaker.

Spaceman
Shades of Queen grace this piston-pumping, fast-paced rocker. A perfect driving song - big drums, big hooks, and a wall of sound.

Joy Ride
The best Bryan Ferry song that Bryan Ferry never wrote. A sensuous, funky beat punctuated by Stones-like sax, biting guitars that tear through the choruses and a melody that hooks you on the first listen. The middle-eight is breathtaking. In fact, the entire band seems to grow more energized as the song progresses. Fun stuff.

A Dustland Fairytale
After a delicate keyboard intro, Brandon Flowers' vocals are appropriately fragile. But as the song swells, with jabbing cellos that seque into a double-time rage, he opens both his heart and his throat. This is a large-canvas narrative with a sound to back it up. Flowers' literary chops are developing in an exciting way.

This Is Your Life
African tribal chanting and harpsichord are strange musical bedfellows, but they spin a magical web on this spacey yet thumping track. Dave Keuning's echo-laden guitar combines with Flowers' barbiturate voice for an overall effect that is spellbinding.

I Can't Stay
A delicious Caribbean beat propels this stunner that features sax, harp and a gently strummed acoustic guitar. A song to sit back and drift away to until a dramatic middle-eight makes you bolt upright and go, "Wow!" Steel drums ride the song out in smashing style.

Neon Tiger
With little fanfare, this mid-tempo grinder gets going and doesn't let up. The instrumentation is perhaps the sparest we've heard yet from The Killers, but the middle section is a marvel of dramatic intensity.

The World We Live In
Melodrama that isn't overwrought or cloying is tricky to pull off. But Flowers' heavily affected, double-tracked voice is a thing of strange beauty here. He's developed into a world-class vocalist, full of passion and searching for the kind of truths that only the finest singer-songwriters can. Although the band provides gutsy support, Flowers owns this untamed monster.

Goodnight, Travel Well
Just as U2 concluded their arguable masterpiece, Achtung Baby!, with a descent into darkness on Love Is Blindness, here too, The Killers bring the curtain down with a seven-minute ride into a nocturnal dreamland. Forlorn and ominous, Flowers sings, "The universe is standing still/and there's nothing I can say/ there's nothing we can do now…nothing we can do now." Get ready for a crushing crescendo in which he's on the floor, begging "Stay!/ don't leave me/ the stars can't wait for you!" Drummer Ronnie Vannucci lets loose with a flurry of crashing cymbals that'll leave you breathless and wondering, it is still night or have we reached the dawn?

Before they head off for a huge Euro-tour in early February, the boys will be showcasing all their latest material at these venues:

1/17 Denver, CO Magness Arena
1/19 Minneapolis, MN Northrop Auditorium
1/20 Chicago, IL UIC Pavilion
1/22 Ypsilanti, MI EMU Convocation Ctr.
1/23 Toronto, ON Air Canada Centre
1/25 New York, NY Madison Square Garden Arena
1/26 Boston, MA Agganis Arena at Boston University
1/28 Fairfax, VA Patriot Center
1/29 North Myrtle Beach, SC House Of Blues
1/30 Atlanta, GA Boisfeuillet Jones Civic Center
1/31 Nashville, TN Grand Ole Opry House
2/2 Houston, TX Verizon Wireless Theater
2/3 Austin, TX Frank Erwin Center
2/4 Grand Prairie, TX Nokia Theatre At Grand Prairie

Meet and greet the band and see the show from the unique perspective of backstage. Visit BackstagePassDirect for complete details.

Wednesday, November 26, 2008

Cheech and Chong Light Up America - Member Review













This just in from BPD member BackFromIraq:
Cheech and Chong were un-effing-believable.

Shelby Chong opened the show. She was damn funny and got things started nicely with her sex, drugs and Cheech and Chong jokes.

Cheech wanders across the stage looking trim and healthy and we're off into Up In Smoke. The Led Zeppelin joint, now updated with some ky jelly is a CLASSIC!! From there we're off into Mexican in Space, Let's Make A Dope Deal, Bob and Margaret, Blind Melon, Red and Earache My eye with Alice Bowie, Ralph and Herbie, Old Man In The Park and the great sing-along of Born In East LA with a little Beaners mixed in and the finale of the Up In Smoke theme song.

Periodic smiles from Cheech Marin, as he quickly and seamlessly regressed back into each of his classic characters, melted the crowd's collective heart. Cheech literally had us crying with laughter throughout the show. He is a deeply important modern media figure for my wife's Latino community. One can only imagine what will take place between him and his increasing Latino audience particularly in certain other venues. Cheech masterfully cements a sheer connection with his audience and there is an electricity that forms quickly between him and those who watch his performances.

Tommy Chong was golden in every sense of the word. His sincerity, his unbridled authenticity and his strong and refreshing sense of social critical purpose, provoked tender and at times, socially angry emotions in the audience, which he masterfully channeled for them into deep belly laughs. What a powerful formula Tommy, linking the lightly psychedelic and profound emotional attachment of the audiences' collective memory of Cheech and Chong, with a gentle expanding of their social and political consciousness.

From backstage, it was easy to see that everyone was having a good time. Do I have to say how great it was to meet them?

There's a lot of water under the bridges of those two, yet there were times when the chemistry between Cheech and Chong seemed as strong as ever.

The tour schedule for early 2009 shapes up like this:

1/2/2009 Uncasville, CT Mohegan Sun Arena
1/3/2009 Verona, NY Turning Stone Casino Event Center
1/3/2009 Verona, NY Turning Stone Resort & Casino
1/8/2009 Nashville, TN Ryman Auditorium
1/9/2009 Dallas, TX Majestic Theatre
1/15/2009 Mescalero, NM Inn Of The Mountain Gods
1/16/2009 Omaha, NE Omaha Civic Music Hall
1/17/2009 Kansas City, MO Kansas City Music Hall
1/18/2009 Saint Louis, MO The Pageant
1/23/2009 Grand Ronde, OR Spirit Mountain Casino
1/24/2009 Spokane, WA INB Performing Arts Center
1/25/2009 Sacramento, CA Memorial Auditorium
1/29/2009 Cincinnati, OH Taft Theatre
1/30/2009 Cleveland, OH PlayhouseSquare
1/31/2009 New York, NY Radio City Music Hall
2/5/2009 Elizabeth, IN Horseshoe Southern Indiana
2/6/2009 Bossier City, LA Horseshoe Casino & Hotel / Riverdome
2/7/2009 Tunica, MS Horseshoe Casino
2/20/2009 Milwaukee, WI Potawatomi Bingo Casino
2/21/2009 Columbus, OH Palace Theatre
2/22/2009 Green Bay, WI Oneida Bingo & Casino
2/26/2009 Lemoore, CA Tachi Palace Hotel & Casino
2/27/2009 Shelton, WA Little Creek Casino
2/28/2009 Santa Rosa, CA Wells Fargo Center For The Arts
3/6/2009 Pittsburgh, PA Benedum Center
3/7/2009 Reading, PA Sovereign Perf. Arts Center

This is history in the making and you could see it all from backstage. For complete info, visit BackstagePass Direct.