Thursday, October 7, 2010

Member Review: Shakira

BackstagePassDirect member SudaSal sent us this:

Shakira's return to touring is to promote "The Sun Comes Out," which arrives Oct. 19. Shakira hasn't toured in four years, and the crowd was eager to see if she could still bring it live. The hip-shaking Columbian dynamo mixed rock, pop and dance music sung in English and Spanish for 90 minutes of foot stomping sizzle and flash.


When the lights went down, she appeared at the far end of the arena in a pink hooded dress. Opening with the ballad "Pienso en Ti" (from her 1996 debut, "Pies Descalzos"), Shakira moved slowly through the aisles toward the stage, touching hands as people reached out to her. The song, which translates to "I think of you," was performed entirely in Spanish, which she did frequently throughout the set, making it clear that despite her ambition to conquer the North American market, she is not forsaking her Spanish-speaking audience.


By the time she reached the thrust stage, she shed her dress for black lycra stretch pants and a gold sequined top, tantalizing in front of a digital screen two stories high. Moving into the bouncing, guitar-driven "Te Dejo Madrid" from her 2001 breakthrough "Laundry Service," Shakira raced around before stopping to jam a harmonica solo.


Breathlessly, she told the crowd: "I am here to please you. Tonight I am yours."


With the new album still weeks away, the night mostly was about hits, and all were crowd-pleasing. "Si Te Vas" was followed by "Whenever, Wherever" -- during which she brought four girls from the audience onstage for a hip-shaking lesson -- "Inevitable" and haunting acoustic versions of Metallica's "Nothing Else Matters" along with "Gypsy" and "La Tortura."


Her voice is a powerful instrument, effortlessly weaving through styles: Think Kylie Minogue and Ann Wilson with the gravitas of Kate Bush. But what sets her apart from today's pop singers, and what made Shakira stand out, is her great warmth and spirit of conviction. She seems happily lost in her music and eager to share it, like a yodeling muppet with a Eurail pass. When she smiles, people smile back; when she dances, people want to dance with her.


And whether belly-dancing or gyrating like Elvis, the girl knows how to move. "Ciega, Sordomuda," one of Shakira's infectious early hits, got them dancing. It was followed by the reggaeton thumping of new songs "Gordita" and "Loca" and the silly but entertaining "She Wolf."


When the barefoot singer returned for an encore, she thanked the crowd profusely, offering love and hope for the crowd. After a short ballad from the new album, "Antes de las Seis," she called in "Hips Don't Lie" (footnote: backstage, she asked me if I thought she ought to get her hips insured) and closed with the rousing 2010 World Cup anthem, "Waka Waka (This Time for Africa)," complete with Kiss-style confetti cannons.


If anything, her performance cemented Shakira's place as an arena-rock star. Her show is a magnificent parade of lights and music. I hada gr8 time.


Set List:
Pienso en Ti
Why Wait
Te Dejo Madrid
Si Te Vas
Whenever, Wherever
Inevitable
Nothing Else Matters
Gypsy
La Tortura
Ciega, Sordomuda
Underneath Your Clothes
Gordita
Sale el Sol
Las de la Intuicion
Loca
She Wolf
Ojos Asi
Encore:
Antes de las Seis
Hips Dont Lie
Waka Waka (This Time for Africa)

Monday, October 4, 2010

CMA Update



Whether or not she collects all nine of the awards she was nominated for, Miranda Lambert will take the stage at the 44th Annual CMA Awards one way or another as one of the performers at Country Music’s Biggest Night.

In addition to the 2003 “Nashville Star” finalist, the first round of performers for the award show includes the singer’s fiancĂ© Blake Shelton along with Dierks Bentley, Kenny Chesney, Lady Antebellum and the pairing of Zac Brown Band with Alan Jackson.

Carrie Underwood and Brad Paisley will host the show for the third year in a row.

Lambert’s nine nominations earned her bragging rights for the most 2010 nominations as well as the distinction of making CMA history with the most nods for a female artist.

She’s competing for entertainer of the year, female vocalist of the year, album of the year (for Revolution) and musical event of the year (for “Bad Angel” by Bentley featuring Lambert and Jamey Johnson). Lambert is also up for single of the year (for both “The House That Built Me” and “White Liar”) and music video of the year (for both “The House That Built Me” and “White Liar”). Her songwriting talent was also recognized with a nod for song of the year (for “White Liar”).

Shelton has been nominated in the following categories: male vocalist of the year, single of the year (“Hillybilly Bone” featuring Trace Adkins), musical event of the year (“Hillybilly Bone”) and music video of the year (“Hillbilly Bone”).

Along with musical event of the year (for “Bad Angel”), Bentley was also nominated for male vocalist of the year and album of the year (for Up On The Ridge).

Chesney is nominated for musical event of the year for his performance of “I’m Alive” with Dave Matthews.

Lady Antebellum racked up five nominations this year including entertainer of the year, vocal group of the year, single of the year (for “Need You Now”), song of the year (for co-writing “Need You Now”) and music video of the year (for “Need You Now”).

Zac Brown Band is up for entertainer of the year, musical event of the year (for “Can’t You See” featuring Kid Rock), new artist of the year and vocal group of the year. Brown earned another nomination in the song of the year category for co-writing “Toes.”

Jackson earned a nod for musical event of the year for his collaboration with Lee Ann Womack on “Till The End.”

Although passes for this show are all gone, you can still see it on the small(er) screen Nov. 10, live on ABC