Member StephaneeLu, not having yet come down from Cloud Nine, sent this in:
This was absolutely crazy.
BPD got me special invites/passes to an exclusive gig to celebrate the third anniversary of Jack White's Third Man Records label — and more importantly, for JW to perform songs from his upcoming solo album.
Everything about the event — held in White's intimate in-house concert venue — was off the charts. Invitations were issued on cardboard volvelle wheels. The VIP reception took place in the lounge of the Third Man complex, where giant stuffed animals and dinosaur skulls sat outside White's old-timey office door ("John A White III, DDS: Family Dentistry"). I downed crab cakes, sliders and mac-and-cheese hors d'oeuvres while quaffing custom cocktails and grazing at a candy buffet. Everyone had to surrender cellphones + wallets at the door.
Without a doubt, however, the coolest part of the evening was a JW's two-sided performance. "Is it OK if we play a couple of new songs for you?" he asked after taking the stage in a powder-blue western suit (it seems to be his new colour). "We'll play some old numbers too." And he did, leading his two new bands through a roaring 19-song set drawn from both Bluderbuss (due in April) and his work with The White Stripes, Raconteurs and Dead Weather.
Backed by the the female sextet he recently debuted on Saturday Night Live, White opened with the Stripes' crunchy 2001 gem Dead Leaves and the Dirty Ground, then introduced three Blunderbuss cuts: The piano-driven Missing Pieces, the punchy Sixteen Saltines and the southern soul stirrer Love Interruption, the latter featuring the vocals of Ruby Amanfu. Also worthy of praise: Drummer Carla Azar (who hammers the skins like Bonzo's ghost) and keyboardist Brooke Waggoner (who supplies the nuanced shadings that characterize White's moodier, love-scarred new material). "You think the ladies can play?" White asked. It was a rhetorical question; they rocked way harder than a band with a standup bass, violinist and pedal steel player has a right to. Not that White wasn't holding up his end. Switching between a Gretsch solid-body electric and an acoustic — and occasionally donning a Telecaster, to the delight of the guitar-geek next to me — he peeled off searing solos, though he seemed happy to share the spotlight.
After more oldies (Raconteurs' Top Yourself, Dead Weather's Blue Blood Blues, White Stripes Hotel Yorba and You're Pretty Good Looking) and one newbie (the piano rocker Hypocritical Kiss), White and the ladies closed with the Stripes' We're Going to Be Friends and fled the stage, much to the chagrin of the crowd. But it wasn't the end; only intermission: After a quick change, White — now in black pants and burgundy T — returned with the same all-male band that accompanied him on SNL.
They picked up where the women left off, blasting through another set heavy on fan favoes (My Doorbell, Cut Like a Buffalo, Steady as She Goes, Seven Nation Army) and peppered with new fare (the propulsive Freedom at 21 and the folksy Weep Themselves to Sleep). If anyone found it odd to watch White play old songs with new bandmates, nobody raised the issue, including Dead Weather singer Alison Mosshart and Raconteurs / Weather bassist Jack Lawrence, who were both in attendance.
Once again, the drummer stole much of the show — Daru Jones' animated showmanship were fairly magnetic — though multi-instrumentalist Fats Kaplin also earned stripes. Between rock workouts, White indulged his rootsier side with a pointed reading of old Hank's You Know That I Know, eventually closing the show with a sweet singalong of Leadbelly's Goodnight Irene.
After, the bash moved back to White's lounge, where he hung out by the turntable and chatted with all of us.
BackstagePassDirect, I don't even want to know how you pulled this off. I ony want to say that you are the absolute f'ing best!!
Set List:
Dead Leaves and the Dirty Ground
Missing Pieces
Sixteen Saltines
Love Interrupted
Hotel Yorba
Top Yourself
Hypocritical Kiss
You're Pretty Good Looking (For a Girl)
Blue Blood Blues
We're Going to Be Friends
*****
Freedom at 21
My Doorbell
Cut Like a Buffalo
You Know That I Know
Weep Themselves to Sleep
Ball & Biscuit
Steady as She Goes
Seven Nation Army
Goodnight Irene
Sounds like you had an OK time, StephaneeLu
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